Jan 19, · You can apply sidechain compression by using the default Logic Pro X Compressor. First, you want to load up the ‘Compressor’ on the audio track you want to sidechain (under Dynamics > Compressor). Ideally, you want to leave it on the ‘Platinum Digital’ setting for sidechain, as this will sound the most precise. Apr 26, · Learn how to do SideChain Compression in Logic Pro X, in this video tutorial. Download Free Sounds here: ARE YOU R. Feb 06, · For a free download, the quality is very rounded and professional sounding. The interface is also very easy to use and makes compressing your sounds a quick and uncomplicated process. The new and updated version (Rough Rider 3) includes an external sidechain input and the ability to turn off the built-in “warming” filter.
Copy staffs or voices in the Logic Pro Staff Style window. Copy staff styles between projects. Delete staff styles. Assign notes to voices and staffs. Display polyphonic parts on separate staffs. Change the staff assignment of score symbols. Beam notes across staffs. Use mapped staff styles for drum notation. Feb 06, · For a free download, the quality is very rounded and professional sounding. The interface is also very easy to use and makes compressing your sounds a quick and uncomplicated process. The new and updated version (Rough Rider 3) includes an external sidechain input and the ability to turn off the built-in “warming” filter. Using Logic Pro X to control the dynamics of your overall mix as well as individual instruments is a crucial fundamental of mixing. Logic Pro’s compressor is your main tool for controlling dynamics as well as for effect. Compressors work well on individual sounds, groups of instruments or sounds, and even the entire mix. There [ ].
How to Sidechain in Logic Pro X For Maximum Production
How To Use Sidechain Compression in Logic Pro X | Decibel Peak
The 8 Best Free Compression VST Plugins (2021)
When To Use Sidechain Compression
Sidechain Compression: How To Create Tighter Mixes – EDMProd
Sidechaining gives your tracks a set of ears that listens to another track or instrument. Sidechaining gives you the ability to let your tracks listen in on each other. Plugins are the key to connecting Sidechains. How do you know if a plugin can Sidechain? Just look in the upper right-hand corner of the plugin window:. In this case the Gate has the option to listen to another track. Click on the menu, and you can see a list of all the inputs, tracks and busses in your project:.
This sucks, because pro mixes rely on a the low end to be both tight and powerful. The thing to remember is that bass notes tend to sustain while kick hits come and go quickly. If the bass can drop in volume each time a kick hits, something magical happens. It can reduce the level of the bass every time the kick hits.
Then set the Gate to Ducker:. Then go up to the Sidechain menu, and select your kick track. From here, all you need to do is adjust the Threshold and Ducking on your Gate while you watch the Open and Close meters:.
And what happens is every time the kick hits, your bass will duck in volume. Thus, your kick can now enjoy the space it needs! A very common snare trick is to have a blast of white noise under snare hits. Open a new track and insert the Test Oscillator plugin on it. Open the Test Oscillator and set its mode to White Noise:.
But this time, set it to Gate instead of Ducker. Select your Snare track in the drop down Sidechain menu. Once again, play with the Threshold. But leave the Reduction set at dB. Find the Threshold where the white noise only occurs when the snare hits, and adjust the Attack , Hold , and Release on the Gate to taste. Match EQ is awesome for matching the EQ curve of one track to another. And it actually relies on the Sidechain to work.
Say you have a vocal track you recorded two weeks ago. And today you want to rerecord some of the vocal parts. Match EQ will start to learn the new vocal EQ curve. Once the curve seems to stop moving, hit Learn again to stop the process and hit Spacebar to stop playback.
Now hit Learn on the Reference tab. Find a section of the old vocal, and hit play. Once the Match EQ curve stops moving, stop playback and hit Learn :. Lastly, hit Match on the EQ Curve tab:. Use the Apply slider on the right to adjust how aggressive Match EQ is. Not all Logic effects are Sidechain-able. But the Filters very much are. Place Autofilter onto a synth track.
And then choose a snare or kick track in the Sidechain menu on Autofilter. You can even just start with the default settings. The possibilities with Sidechaining are endless. And many 3rd party plugins open up more creative opportunities as well. They listen through plugins that have a Sidechain menu. Another clear and comprehensive explanation, Chris — really good stuff. Thank you for the time and effort you put into WLPR posts. DUDE, such a cool and awesome trick. So mono for mono channel strips, stereo for stereo channel strips.
Dual mono is generally not necessary for gating. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Notify me of follow-up comments by email.
Notify me of new posts by email. Skip to main content Skip to primary sidebar Have you ever wished that your tracks could listen to each other? But how do you Sidechain in Logic Pro X? And when should you? Easy as 1, 2, 3 Sidechaining gives you the ability to let your tracks listen in on each other. Just look in the upper right-hand corner of the plugin window: In this case the Gate has the option to listen to another track. Click on the menu, and you can see a list of all the inputs, tracks and busses in your project: These tracks are all available for the Gate to listen and respond to.
But Why Sidechain? Let me explain — The classic Sidechain scenario is our deep kick and bass are fighting for space in the low end. Then set the Gate to Ducker: Then go up to the Sidechain menu, and select your kick track. From here, all you need to do is adjust the Threshold and Ducking on your Gate while you watch the Open and Close meters: And what happens is every time the kick hits, your bass will duck in volume.
Place Match EQ on the new vocal track. Set your original vocal track as the Sidechain. And now you can get that new vocal take to match closer with the old one. Or vice versa! By Sidechaining Autofilter , you can have Autofilter do some awesome stuff. Every time a drum hits Autofilter will react, giving your synth a gnarly effect. Conclusion The possibilities with Sidechaining are endless.
Remember, Sidechaining allows your tracks to listen to each other. Enjoy this post? Would it be best to select stereo or dual mono when opening the gate plugin? Leave a Reply Cancel reply Your email address will not be published. Write a Comment Email Required Name Required Website.