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Logic Pro X: Producing Music with Live Loops TUTORIAL
How to develop a professional mastering workflow in Logic
Logic Pro for PC and Mac
1. How To Prepares Your Mix(es)
Buy Mastering Course For Logic Pro X – Microsoft Store
Christopher Carvalho. This article should help you get going, so you can confidently make great sounding masters for your music.
There are many articles and cheat sheets out there that tell you things in absolutes like needing 6 dB of headroom and such. You might even to choose to take up to a week between mixing and mastering the same song, without once listening to the mix in between. Your call. With regard to peak headroom, here is an article I wrote about it. If you would like a general guideline, around 14 dB of difference between peak and RMS in the loudest moments in the mix is a good place to start.
Measuring EQ, dynamics, and loudness are not things you can rely solely on meters for. However, they can and will work as a supplement to your hearing, but nothing more than that. Now that you have set up your monitoring level , you may also choose to use a reference track in the mastering session. Do this by ear and make adjustments along the way so that comparisons are always fair.
Remember, a slight difference in loudness also equates to a difference in how we perceive dynamics and frequency balance EQ. This means that if necessary, we can make it louder without clipping. This is the true purpose of a peak limiter.
Load it as the final plugin in your chain and set the ceiling to This where we start to work backwards, at least as far as the order of plugins in your chain is concerned. Before, I mentioned how playback volume has a huge bearing on how we perceive frequency balance and dynamics.
This is where we work to minimise that variable. Earlier, I shared this article on how to set up your monitoring level. Now that you are close to the goal, any issues with regard to dynamics and EQ will start to make themselves apparent.
Now you can work your way back into the chain, tackling these specific issues. Use the tools at your disposal to solve the problems. If there are no problems, have the courage to believe that and move onto the final step. This is where you actually create the master files. Simply use the Bounce command in Logic Pro X and select the appropriate formats for where you want to submit your music.
Tip: Dither your master. Any dither is better than truncation distortion! Be sure to watch this video on how to properly use reference tracks when mastering in Logic Pro X. Sign up to Labs for a bundle of free resources to help you create and release your music. Music Production.
Many get lost though. Perhaps you can relate! How To Prepares Your Mix es There are many articles and cheat sheets out there that tell you things in absolutes like needing 6 dB of headroom and such. If you are confident in the sound of the mix then just bounce it down to a 24 bit wav file. Then master the wav mix in a brand new session another day with fresh ears. Give your brain time to forget about it for a bit!
Just make sure there is an appropriate amount of dynamics in the music. Calibrate Your Mastering Level This bit is huge. Gain Stage Your Reference Track s Now that you have set up your monitoring level , you may also choose to use a reference track in the mastering session. There is only one tip you need to know about using reference tracks… Turn them down or up to your mastering level!
That way, there is no loudness bias between your master and the reference track. Set The Ceiling As you probably know, a limiter is very much a usual suspect in your mastering chain. Find Loudness This where we start to work backwards, at least as far as the order of plugins in your chain is concerned. Problem Solving Now that you are close to the goal, any issues with regard to dynamics and EQ will start to make themselves apparent. Happy mastering!